On the relevance of the use of music in teaching children to read, write and math
From ancient times to the present day, musical art has undoubtedly been recognized by philosophers, musicians, and teachers as an indispensable means of developing the spiritual world of man. No…

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About the Philharmonic
Philharmonic (from the Greek. Phileo - I love and harmonia - harmony, "I love harmony") - in some countries: a music society or an institution that organizes concerts, promotes the…

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Enhancing cathartic experiences with music
Just one look at a person who has in his memory a difficult experience, actualized in the present, in order to determine the presence of this experience. Usually, a person…

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enthusiastic

Impressionism in music

Impressionism (French: impressionnisme, from impression – impression), the direction in art of the last third of the XIX – beginning of XX centuries.

The application of the term “impressionism” to music is largely arbitrary – musical impressionism does not constitute a direct analogy to impressionism in painting and does not coincide chronologically with it (its heyday was the 90s of the 19th century and the 1st decade of the 20th century).

Impressionism arose in France when a group of artists – C. Monet, C. Pissarro, A. Sis-lei, E. Degas, O. Renoir and others – made their original paintings at Parisian exhibitions of the 70s. Their art sharply differed from the smooth and faceless works of the then academic painters: the Impressionists came out of the walls of the workshops into the free air, learned to reproduce the play of living colors of nature, the sparkle of sunlight, the colorful highlights on the moving river surface, the motley color of the festive crowd. The painters used a special technique of runaway stains, smears, which seemed disordered near, and at a distance gave rise to a real feeling of a lively play of colors, bizarre overflows of light. Continue reading

The aesthetics and importance of music in the history of the formation of man, society and the world.
Musical aesthetics exists more than the culture of music as an independent art form. Musical aesthetics was similar to labor, appropriation, submission of the unknown. It carried such functions as…

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Listening function
Listening, not hearing, is the primary function of the ear. Tomatis draws a clear line between listening and hearing. Hearing is a passive process; listening is active and it requires…

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Daniel Levitin - neuroscientist and musician
Daniel Levitin worked with Stevie Wonder, Van Morrison and Santana and knows a lot about music, except for one thing - where does it come from. In the early morning,…

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Musically gifted brain
Just as short-term training increases the number of neurons that respond to sound, long-term training enhances nerve cell responses and even causes physical changes in the brain. The brain reactions…

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