Today I will touch on a topic that excites all artists without exception – the fear of the scene. Everyone, absolutely every musician or artist – even professional and active in concert – is worried before going on stage. This is a completely natural phenomenon – all people are subject to emotions to one degree or another. The question is how to cope with these emotions and how to direct them in the right direction. How not to let you overwhelm and not allow growth in fear, panic?
Everyone knows that experience comes with the practice of performances, and many people resort to tricks, tricks, and proven tricks over the years that save them at a difficult moment. Undoubtedly, a certain amount of artistry and dexterity is necessary to look at the scene at ease and relaxed, but this is such a business, and if you feel that it is too difficult – just do not handle it. For those who are confident in success, there are no barriers. Continue reading
Daniel Levitin worked with Stevie Wonder, Van Morrison and Santana and knows a lot about music, except for one thing – where does it come from.
In the early morning, students slowly fill out one of the classrooms at New York University, where a lecture on music perception will take place. Two girls came first – one with black painted nails, the other in hooligan vintage high-heeled boots.
Behind them is a young man with turquoise hair. It is easy to imagine how they would react to Professor Daniel Levitin, a 40-year-old lecturer, with a mobile phone on his wrist dressed in black jeans and a tie with a crazy pattern – what is it, the fiber of wood? Or bacteria unrealistically magnified by a microscope?
Levitin’s lecture, based on his new book, “This is Your Brain on Music,” begins with a tortured metaphor: something about lakes, boats, and a cork popping out of a bottle. So the neuroscientist is trying to explain to students the amazing sensitivity of the eardrum – “just a pair of skin flaps tightly stretched over the bone and oscillating back and forth.” Continue reading
1. “Sound + color”?
The property of sounds to evoke color images has been noticed a long time ago. Much has been written about the color rumor of A. Scriabin, who saw musical sounds in color. The whole direction in art – color music – is based on this property of music sounds.
There is evidence that speech sounds, especially vowels, can also be perceived in color. A. Rimbaud even wrote a vowels sonnet, in which he so colored the sounds:
A is black; white – E; And – red; Y is green; Continue reading