Listening function
Listening, not hearing, is the primary function of the ear. Tomatis draws a clear line between listening and hearing. Hearing is a passive process; listening is active and it requires…

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Music and the brain of the child
According to numerous studies, the use of music as an additional sensory influx significantly improves speech functions in preschool children. Any activity, in particular, intellectual, is provided by the functional…

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Musical hallucinations
Music in itself sounding in the head. Is that familiar? Probably this happens with everyone, which is already there. Some "Praskovya girl" will get attached, spin, spin, and stop. Another…

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turquoise

About the Philharmonic

Philharmonic (from the Greek. Phileo – I love and harmonia – harmony, “I love harmony”) – in some countries: a music society or an institution that organizes concerts, promotes the development and promotion of musical art.

Philharmonic societies appeared in the cities of Europe and America (Petersburg, Moscow, Berlin, London, New York and others) in the 19th century, and they mainly promoted symphonic music. In the 20th century, in the socialist countries of Europe, philharmonic societies became state organizations – by 1976, there were 136 philharmonic societies in the USSR.

In 1859, A. G. Rubinstein organized the Russian Musical Society in Petersburg. The intensive development of concert activities required the creation of new musical and educational organizations. Continue reading

Daniel Levitin – neuroscientist and musician

Daniel Levitin worked with Stevie Wonder, Van Morrison and Santana and knows a lot about music, except for one thing – where does it come from.

In the early morning, students slowly fill out one of the classrooms at New York University, where a lecture on music perception will take place. Two girls came first – one with black painted nails, the other in hooligan vintage high-heeled boots.

Behind them is a young man with turquoise hair. It is easy to imagine how they would react to Professor Daniel Levitin, a 40-year-old lecturer, with a mobile phone on his wrist dressed in black jeans and a tie with a crazy pattern – what is it, the fiber of wood? Or bacteria unrealistically magnified by a microscope?

Levitin’s lecture, based on his new book, “This is Your Brain on Music,” begins with a tortured metaphor: something about lakes, boats, and a cork popping out of a bottle. So the neuroscientist is trying to explain to students the amazing sensitivity of the eardrum – “just a pair of skin flaps tightly stretched over the bone and oscillating back and forth.” Continue reading

Enhancing cathartic experiences with music
Just one look at a person who has in his memory a difficult experience, actualized in the present, in order to determine the presence of this experience. Usually, a person…

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At the limit of hearing
The French otolaryngologist Alfred Tomatis was the first to systematically investigate the influence of high frequency sounds on the human psyche. According to his theory, a baby, swimming in an…

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Psychosomatic reactions to some types of musical art
Music at all times, since its inception, has been used as a means of influencing people's consciousness. With its help, different goals were achieved. Knowledgeable people wisely approached the musical…

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The aesthetics and importance of music in the history of the formation of man, society and the world.
Musical aesthetics exists more than the culture of music as an independent art form. Musical aesthetics was similar to labor, appropriation, submission of the unknown. It carried such functions as…

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